MADHEAD, choreographed by the Oliver Award winning Botis Seva, is a visceral and energetic piece focusing on the traumas of group systems. Ostensibly focused on education, the piece takes in…
Rethinking the traditional format of the mixed bill or showcase, Together, Not the Same presents each Young Associates choreographer with an intriguing challenge – to create one work in two…
Experimental, exciting and extremely well executed, Patricia Guerrero’s Catedral is a fitting finale to Sadler’s Wells Flamenco Festival 2019. It is a baroque battle cry of the female spirit, and…
With less than a month to go until the Edinburgh Fringe Festival begins theatre companies across the country are trialing their shows to gage audience reactions before taking them to…
Olga Pericet’s production, The Thorn That Wanted to be a Flower, or The Flower That Dreamed of Being a Dancer, plunges us into a world of ambiguous allegory. Drawing on…
On the darkly blue, luminous stage of Sadler’s Wells instruments lie in wait for Flamenco Meets Jazz. A grand piano is illuminated from within, a double bass lies on its…
Rocío Molina has achieved something extraordinary with her work Fallen From Heaven. She has taken the traditional structures of the dance – the established language of movement, music and costume…
Marriage, is it worth it? That magical moment of tying the knot with that one person who you’ll spend the rest of your life with. We all know it’s a…
Sara Baras Sombras creates something of a flamenco cathedral onstage, complete with stained glass lighting, soaring music and vivid costumes. A monument celebrating and revering the form, it runs like…
