Direct from New York City, Tori Scott’s THIRSTY is a cautionary tale of what one woman will do to quench her thirst and how best to get away with it.…
In a jampacked Yard Theatre, a grown-up woman sits sulkingly in a buggy. She is wearing an NHS-prescribed pink helmet and full-length baby bodysuit. She eyeballs the audience, her hands…
Kandinsky’s Trap Street is an intelligent and discerning play that documents the devastating effects of London’s housing crisis, on generations both past and present. This issue is multi-layered and deeply…
Based on the issue of Alzheimer’s and writer and director Luke Adamson’s personal experience with his grandfather’s battle with the disease, One Last Waltz disappointingly missed the mark. Although some…
On the way out of the Hen and Chickens Theatre, I text Upper Circle’s editor. “Abducting Diana is Bat. Shit. Crazy,” I say, “I have no idea what I just…
Racheal Ofori stars in this solo piece which tackles the many conflicting influences acting on young people today, specifically from the point of a young woman from London called Melissa.…
A play less about the war itself and more about the issues and emotions it generates, Ian Grant’s AFTER THE BALL, isn’t your typical period piece. Spanning almost 60 years…
Ok, Bye at The Vaults is packed with emotions. With a focus on goodbyes, Red Belly Black Theatre Company explore a narrative about the loss of a mother, tangled with…
For the 22nd year, Sprint festival at Camden People’s Theatre is upon us, and boy oh boy is it the place to be if you like your theatre experimental, angsty…
