There are around 2,600 new cancer cases confirmed in young people every year in the UK. It turns out; 23-year-old Rosa was one of them. This is her true story.
Bounding onto the space with energy, Rosa begins with optimistic New Year resolutions: to look after her body and to prioritise the right things. She is endlessly engaging, witty and relatable, joking about her suspiciously bloated stomach as the audience chuckle knowingly at projections of her Google search spiral, ranging from constipation to gall stones.
The projection is a useful tool, encapsulating Rosa’s network of communications, from Tinder notifications, to family chats, to the other end of subtitled dialogue with a nurse – but Rosa also makes a point of multi-roling some of the figures in her life, which she achieves with skilled subtlety.
As the play progresses, it is quite clear that all is not well: Rosa has stage 3 ovarian cancer. Nevertheless, she makes every effort to sprinkle each moment with a hint of humour, announcing in the middle of her internal ultrasound: “This is the most action I’ve had in months!” Her speech is poetic, fast-paced, manic and raw. There are times of heartbreak, deep love and connection with friends and family, and moments of dark humour as she comments on her love life: “I couldn’t even get past the second date without getting cancer!” You find yourself laughing, crying and overflowing with love simultaneously.
WildChild’s Madame Ovary is a gripping, informative yet sensitive piece, shedding light on the thoughts, fears and little pieces of joy you can find in the darker moments in life.