It’s been twenty-five years since the animated comedy Disney’s Aladdin was released onto the big screen, making it an instant masterpiece.
The show consists of three scenes, that flew by before the audience had a chance to finish laughing, one even more dramatic and shocking than the other.
And insignificant it was. This might have been the aim of Insignificance at the Arcola Theatre, as it goes hand in hand with the name, but with minimal story line and even less relevance to today, it failed to make the audience feel much.
Hair really does feel like a little insight into the 60s.
If you want to see a show about a big, fluffy, green dragon being slayed by a hero, then this is not for you.
After completing a UK tour in the spring of 2017, All the Little Lights has finally reached a London stage and settled into its new home at the Arcola Theatre.
Starring Natalie Dormer and David Oakes, David Ives’s dark comedy about sadomasochism, set in New York City, is running for a strictly limited nine weeks at the Theatre Royal Haymarket.
Everyone has heard of Wicked, theatre fan or not. After opening at the Apollo theatre in 2006, Wicked has been seen by more than seven million people on the West End alone.
The Woman In Black is a staple in the West End. Not one that everyone has seen – but one that anyone who can tolerate horror will get around to…