It is 1953: American-Jewish couple Julius and Ethel Rosenberg were sent to the electric chair for allegedly telling the Soviet Union of state secrets. James Phillips, in his 2005 award…
The National Youth Theatre’s Macbeth, directed by Natasha Nixon, is a disappointing outing for what should be up-and-coming performers of talent: no one comes off as well as they should…
Where are we going? What have we become? Dystopian Dream is a production of extraordinary depth and significance, touching on eternal themes of life, death and human relationships. It is…
The Union Theatre is not one of the most talked about venues for hosting new and unheard of Musical Theatre, but it is a very, very good one. Its production…
Matthias Sperling’s work Now That We Know, which revisited Sadler’s Wells at the beginning of November, is an extraordinary and very unusual work. It challenges our perceptions of dance, the…
Back by phenomenal demand, Ben Adams and Chris Wilkins’ Eugenius! makes a triumphant return to The Other Palace, for a strictly limited six week run. The latest in a line…
Alex Oates’ thrilling new play Silk Road (How to buy drugs online), has transferred to Trafalgar Studios 2, after critical acclaim at The Vaults and The Edinburgh Fringe. For those…
First things first. If your heart is not in the slightest bit warmed by the British Theatre Academy’s production of Goodnight Mister Tom, this may be a sign that you…
At the centre of Bluebird is Jimmy (Jonathan Keane), a London cabby, whose detached and neutral look invite “fares” to open up. They see the back of his head, we…
