Queen of the Mist has transferred to London’s Charring Cross Theatre after running at the Brockley Jack Studio earlier this year. The show takes a while to get going and…
Anna Ziegler’s Actually explores racism and sexism, in opposite directions in one relationship, at the same time – a feat only for the brave. The contentious discussions of sexual consent…
90’s musical, Once on This Island resurges in the 21st Century as a vibrant, whimsical tale about Ti Moune – an orphan peasant girl, yearning for true love, whatever the…
‘Southern Belles’ is a double bill of two one act plays from the back catalogue of Tennessee Williams. Not specifically intended to be performed together, they nevertheless compliment each other here,…
Tree follows the story of Kaelo (Alfred Enoch) as he travels to his grandmother’s farm in South Africa to spread his mother’s ashes and learn more about his father. The…
MADHEAD, choreographed by the Oliver Award winning Botis Seva, is a visceral and energetic piece focusing on the traumas of group systems. Ostensibly focused on education, the piece takes in…
Rethinking the traditional format of the mixed bill or showcase, Together, Not the Same presents each Young Associates choreographer with an intriguing challenge – to create one work in two…
Experimental, exciting and extremely well executed, Patricia Guerrero’s Catedral is a fitting finale to Sadler’s Wells Flamenco Festival 2019. It is a baroque battle cry of the female spirit, and…
Olga Pericet’s production, The Thorn That Wanted to be a Flower, or The Flower That Dreamed of Being a Dancer, plunges us into a world of ambiguous allegory. Drawing on…
